In addition, some of the instruments were built by recording an increasingly bigger size of musicians per dynamic layer. The result is very musical and will immediately blend in with any program material. ![]() For example, the compression ratio, EQ and reverb tail length changes from quiet dynamic layers to louder dynamic layers. This approach allows Laboratory Audio to mix individual dynamic layers with unique settings. Both mixes sound great out of the box and were mixed to film music so they sit perfectly well in the mix. The user has global control of a closer or a wetter or further away type sound. Rather than presenting multiple unmixed mic positions on the interface, Laboratory Audio presents a close mix and a far mix that are meticulously crafted and unique per dynamic layer. ![]() In addition to the extremely high sound/recording quality, the library presents great convenience, functionality and ease of use.
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